Naseer's brilliance is a given, so not point talking about it. Arshad Warsi seems to have developed the knack to get under the skin of a character so naturally, and his only test remains an out 'n out serious role as even this role had the usual comic element associated with him usually. Having said that, his comic sense of timing still is very enjoyable in the movie.
Vidya Balan, well, I am only too happy to see her doing a purely performance based role, and which she delivers with the utmost ease of a veteran. Her performance in परिणीता was outstanding, and this as a follow up is only a little short particularly due to a smaller role in the movie.
The two shortcomings of the movie
- A weak story though an interesting one, which could have been elaborated more
- "Cheating" on the part of Balan's character in the movie, as it is conveniently moulded from a temptress to love torn lioness. In the end, her character was that of a strong woman who demands justice for the betrayal, but from the start it was just built as that of a manipulative and flirtatious woman. The transition of a character in such cases demands more intensity and detail. The director seemed careless/impatient on this count in this otherwise fairly 'intelligent' flick
Two more minor positives
- Intelligent music, which is given for Vishal Bharadwaj, but for the fact that he didn't get entangled in creating local/folk sound for the movie given the backdrop of rural India etc but experimented with the arrangement wrapping a rock-ish feel around the music
- Minor characters like the old woman and the young boy Nandu, add a different tinge to the screenplay, and were reminiscent of this style used by Sudhir Mishra in हजारों ख्वाहिशें ऐसी
In all a 4/5 to the movie
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